In his 1933 essay, “One Hundred False Starts,” F. Scott Fitzgerald claimed that, as writers, we write about two or three experiences in our lives that we constantly disguise and rework. The quote is reproduced in full in Matthew J. Bruccoli’s Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald:
Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.
Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen.
(1981)
Fitzgerald has made three assertions in this statement: first, that authors must repeat; second, that we only have two or three stories to tell; and third, that authors write those same stories over and over in different disguises. In order to fully address each of these, I will split my argument into three corresponding parts. First, I will discuss repetition present in the writing of both professional and ‘new and emerging’ writers. I will then agree using Freud’s repetition compulsion and the role of repetition in imagination, that authors are compelled to repeat ourselves. Last, I will argue that though authors may have many moments in their life worth writing, they have only a few experiences about which they need to write.
